Nassy is a Creative Producer working across Dance, Theatre and Live Performance. She's a recipient of Jerwood Arts Live Work Fund 2021. At the heart of her practice, she specialises in producing and introducing new work to diverse audiences. Nassy also focuses on tour production management, artistic programming, and artists' development through international exchange.

Her major projects have been with Swiss Arts Council Pro Helvetia to produce the Swiss Selection Edinburgh & Swiss Selection Live. Producer for Dropped Tea Theatre - which celebrates and amplifies London's lost voices through multidisciplinary storytelling in gentrified communities. Including Horizon, an international showcase platform for artists based in England.

Nassy has extensive expertise in touring work to mid/large-scale venues and festivals around the UK and internationally. She has produced work for Soho Theatre (Nouveau Riche's Queens of Sheba), The Old Vic, Battersea Arts Centre, Young Vic, Brixton House (formerly Ovalhouse), Southwark Playhouse, Sadlers Wells, Regional Theatre Young Directors Scheme, and Greenwich + Docklands International Festival.

Over the last few years, Nassy has developed a wide range of international networks with IETM (International Network for Contemporary Performing Arts) and Festival Academy (Festival European Association), through which she has built global relationships and collaborations, supported by an Arts Council England's Developing Your Creative Practice Grant.

Nassy is an Associate Producer for Greenwich and Docklands International Festival and China Plate Theatre. Most recently, Nassy is Project Manager on a newly-choreographed version of Stravinsky's Rite of Spring with Seeta Patel Dance and Bournemouth Symphony Orchestra recently premiered at Sadler's Wells in March. She's currently working as Producer for OPUS (Outdoor Places Unusual Spaces) - a female-led multidisciplinary Arts and Events Producing House. As part of her role, she delivers the opening and closing show days of Birmingham Festival 2023.

Career highlights include the development and touring of the award-winning BAC Beatbox Academy production of Frankenstein: How To Make A Monster and the touring of Tourettehero's Not I by Samuel Beckett.

Nassy was previously an assessor for the Total Theatre Awards, recognising and honouring work by professional artists creating innovative theatre and performance. She advocates for class identity and is a Board member of the Rhiannon Faith Company.